Fandoms, Geekery, General Nerdiness

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See, that’s what the app is perfect for.

Sounds perfect Wahhhh, I don’t wanna
deanhugchester
lungthief

listen. i know it's not 2014 anymore and i know it's just a throwaway line and that the russo brothers didnt intend for marvel action blockbuster captain america the winter soldier to become the tragic gay love story that never was but man. having steve say "it's kind of hard to find someone with shared life experience" in a conversation about romantic relationships right before the bucky reveal is so cruel. it's not just about steve and bucky obviously having the shared experience of being "out of time," it's the fact that they've both been stripped of their humanity in opposite directions. steve is a legend, he is an american hero and a national icon before he is a human being the same way that bucky is a weapon and a killing machine before he is a human being. steve knows that anyone who falls in love with him in the 21st century fell in love with captain america first, and that's just not him. but then the one person who knew him first and knew him best and loved him (not captain america, that little guy from brooklyn) so much he died for it is alive, impossibly. and it's a miracle because he's back and it's horrific because he's back under the worst possible circumstances. but to steve, the winter soldier is worth tearing the world apart for because he's always been bucky first. they find each other and suddenly they're human again. and maybe, despite it all, being "out of time" becomes a blessing, because in this century they'd finally be allowed to love each other the way they've always wanted to. like real people do.

like. no. the captain america trilogy isn't about two queer men traumatized and alienated by war and modern life rediscovering and reclaiming their humanity through their love for each other. but. i mean. it couldve been

desertmp3

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op TAGS !!

ineedtosleepbetter
redead-red

watching a movie at home circa like, 2001 was like

  • put your TV on channel 2 so the VCR will work
  • open up the clamp shell case that held the VHS that has that satisfying crrlikkkkkk
  • put in the movie
  • gdi it has to be rewound
  • press STOP and then rewind because its so much faster that way
  • start the movie and it takes a few seconds for the movie to actually start cause you rewound to the VERY beginning
  • FBI will get you if you illegally distribute or exhibit this movie
  • and then. because you forgot that movies are always so much louder than TV

COMING SOON TO OWN ON VIDEO AND DVD

  • QUICK LOWER THE VOLUME LOWER THE VOLUME LOWER THE VOLUME OH FUCK!!!!!!!!!!!!!
  • Okay crisis averted.
  • although. these ads are kind of quiet. a little hard to hear.....
  • better turn up the volume...

THX

unsolids-your-snake

Posts you can hear

wickedwonderlandd

Posts you can feel in your soul 😭😭

biggest-gaudiest-patronuses
biggest-gaudiest-patronuses

I have exciting information for you! Bird bones are not entirely hollow, rather they are filled with large air pockets. I find the result both delightful and terrifically unsettling!

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taylorpixiedust

To expand upon this: a lot of birds’ bones aren’t hollow in order to make them lighter, but instead so that they can take in more oxygen. This is because when you’re flying through the air at speeds of Fast™, it’s very hard to convince the air around you to flow into your nostrils at speeds that let you get enough to breathe. So, birds evolved hollowed out bones to circumvent this, as it allows them to store air.

i-draws-dinosaurs

I feel like not enough people are aware of the fact that birds are nightmare creatures that have respiratory systems that extend directly into their bones. And the same thing was the case with lots of dinosaurs, light bones let birds fly and let dinosaurs grow huge.

biggest-gaudiest-patronuses

#dragons have the same bones

writingfeedsthedarkestones
teaboot:
“bestnatesmithever:
“undeadhousewife:
“My dad was an aviation engineer and used to spray paint his tools the most obnoxious hot pink he could find. Not only did it make it easy to find his tools, but the amount of guys who wanted to use them...
undeadhousewife

My dad was an aviation engineer and used to spray paint his tools the most obnoxious hot pink he could find. Not only did it make it easy to find his tools, but the amount of guys who wanted to use them went down drastically, and they always made sure to bring them back to my dad so they wouldn’t be caught with pink tools.

My dad always got a kick out if it, and to this day a good chunk of his tools at home are a beautiful shade of hot pink.

bestnatesmithever

Use toxic masculinity against itself

teaboot

I tried buying hot pink socks to deter my siblings from stealing them, once. Downside was, I hated hot pink, and it wound up being my brother’s favourite colour.

fixyourwritinghabits
rpmemesbyarat


If animals, real or imaginary, feature heavily in your story, give this a read.

In fiction, carnivores are frequently depicted as incredibly vicious and as attacking every other living creature on sight, whereas herbivores are depicted as gentle, benign, and typically only hurt humans on accident if they panic, such as by rearing or stampeding.

This is bullshit. Firstly, many herbivores are incredibly vicious and are in fact far more likely to attack a person just for being nearby. This especially goes for large herd ungulates like rhinos, hippos, Cape buffalo, and moose. All of these are highly aggressive to humans and in general. Bison are considerably more chill than their African cousins, but they still send tourists flying (sometimes to their graves) in Yellowstone due to people trying to get too close and treat them like a petting zoo. Deer, often imagined as the pinnacle of fearful and delicate, will typically choose flight over fight…but should they choose to fight, especially a male in rut or a female with a fawn, they can and will kill a human being. Even a rabbit will do its best to fuck someone up if they feel they are threatened.

Remember, every animal will fight for its life with all its got, and to herbivores, EVERYTHING is a potential threat. If an animal they’re not familiar with as “safe” is nearby, they will assume it’s a threat. There are some prey animals that are surprisingly docile—videos I’ve seen of people interacting with a wild potoroo and a Bosavi wooly rat show them to be incredibly chill, and the quokka is famous for its lack of fear towards humans—but these are the exception, not the rule.

Wild carnivores aren’t cute pets just waiting for the right special animal-loving protagonist to take them home, but they aren’t these constantly-aggressive, constantly-angry, constantly-ravenous monsters either that so much media makes out. They most certainly will hunt when they’re hungry, and in the rare instance they decide to make a meal of a human, that human is indeed fucked (it’s hilarious to me how many people think they could fight off a lion, tiger, etc.) but unless it’s truly starving and desperate* most of them are not going to make a point of pursuing a potential meal, human or otherwise, to the exclusion of all else. Especially not if there’s other options around. Why expend all these energy chasing after the protagonists if there’s literally anything else they could catch and eat instead?

And why do so many of these monster-animals seem so interested in catching and killing the protagonists, but not in actually eating them; a ridiculous number of predators in fiction will straight-up leave the body of a person they JUST killed behind in order to catch another human. Why? This makes no sense, I don’t care if it’s a fictional animal like a dragon or manticore, it’s not conducive to survival.

Unless this animal is MEANT to have an actual sentient grudge (which CAN happen, a man in Russia once shot a tiger and took its kill; the tiger waited for him in his cabin when he returned) do away with the Super Persistent Predator trope. Especially when it’s an animal like a great white shark, whose preferred prey not only isn’t humans, we’re actually downright nasty to them because we don’t have the fat content of the seals and sea lions they typically eat (most great white “attacks” are just them checking us out or mistaking us for a delicious sea mammal)

There are exceptions to this rant, though most are small creatures. For instance, stoats do engage in “surplus killing” and stockpile the bodies, and shrews are very aggressive little predators due to having incredibly fast metabolisms that mean they basically have to eat all the time to stay alive. And, yes, there are some large ones; the tiger shark will eat anything, bull sharks are pretty bad to be around, and the polar bear has actively hunted humans when the opportunity presents itself. But as with the “super gentle chill wild herbivore that is basically domesticated” they are the exceptions. And I’m sure you know of other exceptions; the fact they are “exceptions” in the first place means it’s NOT the norm.

If there’s a reason the animals in your story are hyper-aggressive and persistent to a point they seem almost consciously evil, that’s fine—genetically engineered that way, for instance—but have there be a REASON. It’s seldom the default in nature.

Think of it this way: You’d fight a lot harder to save your life than you would to get a hamburger (unless saving your life required that hamburger). Consider that when you write real animals, and when you craft fictional ones. 

(* Which admittedly most real life man-eaters are; most large mammals that turn to actively hunting humans have been sick, elderly, or injured in such a way they can’t pursue their normal prey. But in fiction, the animals that are absurdly focused on eating humans alone always seem in perfect health and are seldom revealed as otherwise, or even having a reason at all. It’s just presented as their default behavior. Which it is not. That’s the point of this rant.)

fixyourwritinghabits

Animals function the same way we do when it comes to conserving energy - every action is based on what costs them the least amount of energy.

Ever wonder why a pigeon will waddle out of the way rather than fly? Flying costs more energy. If your food sources are uncertain, you’re going to to lean toward whatever movement minimizes risk and also doesn’t cost you energy you might need later.

Predators work on the same rules. Negative human/predator encounters often come down to a handful of things:

  1. Perceived threat to young (getting between a mountain lion and her cubs)
  2. Perceived threat to self (startling a bear)
  3. Injury that prevents hunting usual prey (frequently the case with man-eating big cats)
  4. Food scarcity and opportunity (every polar bear will fucking eat you)

Most predator/human encounters involve the predator trying to scare the person off or finding an escape route. It is usually not worth it to the predator to make the effort to kill you. Certain animal encounters are getting more common because of factors we’ve caused - less natural bear food means more urban bears - but that’s not due to the animal being some evil monster.

Large herbivores, on the other hand, will fuck you up at the drop of a hat because the alternative (from their perspective) is death. And even then, it is far more likely for a herbivore to run or avoid you rather than attack (exceptions being rutting season, being pinned down, and protecting young).

Except for hippos. Hippos are just dicks.

Anyway, animal attacks in fiction provides an easy source of external conflict, but it’s always worth considering what you’re conveying by writing those scenes without thought. Jaws convinced millions of people sharks were mindless killing machines, but they’re not - they’re just animals, doing what animals do, and to think of them as mindless or uncontrollable monsters does a great deal of harm. It’s worth it to take care to not carry on that harm to other animals.